How To Mount Photos On Foam Boards

Our latest step by step tutorial will talk you through the process of mounting an A4 and A5 size photos on a foam board. The same process can be achieved on an A3 board, though you will require an A3 printer. Once complete, the photos could be displayed and the cost is significantly cheaper than having your photos framed on the high street.

Video Transcript:

Today we are going to talk about our new product on the PhotoPaperDirect.com website, it’s our photographic mounting foam boards.  They come in sizes of A4 and A3 and they will allow you at home, without the need of any special equipment to take a photograph that you are going to print on an inkjet, an ordinary inkjet printer, using our 280g either satin or gloss premium microporous photo paper and create a mounted high quality presentation photograph on a stiff board that you can hang or display or stick to a wall or do pretty much anything you want with it.

And this is how it works.  We are going to take the photo paper, all our papers come in these minimalist packaging, we put all our energy into paper, trying to save you money in the long term.  Stick it into the printer and put a photograph on it. We are using an ordinary inkjet printer with ordinary inks.

So here we go, we printed our picture on the 280g range of premium microporous photo papers we have on the site.  This is the pearl finish, we’ve printed it borderless, so this is going to be a really easy application. We are also going to show you an A5, just to illustrate that you can do different sizes and how easy it is to trim.  And for those of you that don’t have a borderless printing capability we are not going to use this print but just to show you that we’ve got a white edge around the image and that also can be trimmed really easily.  So this is how it works; we got our boards here, self adhesive foam boards here, we are going to put these aside for a minute.

We are going to start with the A4, really simple.  It comes with a self adhesive layer, protected by this backing.  It’s got a grid that will allow you to pre-trim it, should you need to, in this case we are not going to need to trim it, so we are just going to peel, throw that away.  Take our photo paper, position it carefully, take your time over this.  Starting, position it slow so we don’t have any areas showing.  And we smooth it out.

This is the first stage, that’s done.  We are going to do another one just pre-prepare it.  So we can do all the sticking of the, at the same time – the same board, the same size. We are going to peel that off, take the A5, this is also borderless, we used an A4 paper, but this is actually an A5 image.  You then position it careful, if you make a mistake, you can pick it up, that’s done.

So we’ve got our stuck on images on the foam board almost finished, what we are going to do is trim the edges that are slightly overhanging, or if you need to cut it to size.  If you have a trimming mat you can use that, we don’t, so we are going to use a bit of cardboard here to protect the table.  A good ruler, simple Stanley knife, I’ve changed the blade so it’s super sharp.

Mind your fingers there.  That’s, its trimmed.  We also provide you with a neat little hanger and to do that you take a measurement on the back, you want to draw it in the middle, this is 29.4, so the middle of it will be about 14.5.  And what you need to do is simply push it in, job done.  You can bend it out a bit, in order to be able to hang on the wall.  There is a little tab there that needs to be pushed as well.  And here a hangable, mounted photograph, on a foam board mount.

This is the A5 the image that we’ve done, so we do the same, we are going to have a few more trims on this again, I am using a metal ruler because its more accurate, any ruler will do.  I just changed the blade in my Stanley knife so it’s nice and sharp.  Mind your fingers.  No expertise required, you can do this at home using bits of equipment that everybody has.  Here is the same image in A5, mounted on a self adhesive foam board, printed with an inkjet printer on the 280g gloss.  In this case the kit contains a number of board, we have different size packs, 5s, 10s, with the same amount of paper, and hangers.

As these I am not going to measure it, but I need it to go in the middle, as easy at that to use.

Posted in Uncategorized | Leave a comment

Photo Paper Receiving Layer Options

Regardless of the photo paper manufacturer whether it is Epson, Canon, HP or even niche suppliers, photo papers commonly use one of two technologies to accommodate the ink injected by the printer heads. This technology is called the ‘receiving layer’ and it is one of the features that differentiate between true photo paper and normal copier paper.

The receiving layer is really a translucent chemical that suppliers invest many years of research and development in, as well as large amount of money to get it right. This explains the difference you notice in photo paper print results between manufacturers.

The two most common in today’s printing landscape are cast coated and pore based, whether it is microporous or nanoprous.

Cast Coated – The cast coated receiving layer is often used for budget models of photo papers such as those designed for day-to-day use. The chemical coating sits on the paper making it susceptible to smearing when using pigment inks, as the particles in the pigment inks do not penetrate the coating and has no pores to sit in.

It is worth noting that some cast coated papers that are made by special high end manufacturers do poses the technology that can cope with pigment inks, but not all of them. In most cases cast coated will work well only with dye based inks that have no particles in the ink and so these never smears after printing (what is referred to as ‘instant dry’).

Cast coated receiving layer paper is coated on regular type of base paper that may curl and be more sensitive to humidity due to the difference in expansion between the coating and the base paper when exposed to the elements.

Pore Based – Micro and Nano porous receiving layer is used in professional models that are known as photographic papers in which archival properties are important (archival = how long before the image fades, yellows or ‘disappears’). Contrary to cast coated, in this case the ink is contained within microscopic pores in the chemical that are invisible to the eye, which makes the print instant dry and reduced fading over time.

This type of photo paper receiving layer is normally based on a superior type of base paper, which is coated on both sides with polyethylene to create more stability of the paper as it is sealed to humidity and kept flat.

When purchasing your next batch of photo papers, look at the receiving layer which should be highlighted in the product description.

Posted in Product Information | Leave a comment

Choosing Photography Paper

Photography paper is a name given to a range of papers that can accommodate large amounts of saturated ink while retaining the high definition, sharpness and true colour reproduction of the original image. This is achieved by coating the paper in a chemical known as the receiving layer. The receiving layer keeps the ink from running, bleeding through to the other side and helps ensure that the image quality is high.

Choosing Size:

There are common preset sizes for photography paper depending on the intended use. Photo albums accept 6×4” and 7×5” sizes (you may also come across them as 10x15cm and 13x18cm), which are intended to fit a photo album without the need to crop the print. Wall and desk mounted work is traditionally displayed using A5 and A4 sizes, with A4 being precisely twice the size of an A5 sheet. Posters, calendars and photo gallery exhibition prints are often printed in A3 size (twice the size of an A4 sheet) or A3+ size, which is a slightly bigger version of A3. A common mistake to make is sourcing an A3 photography paper without checking that the printer can accommodate this size or sourcing an A3+ size thinking it is a normal A3 size sheet.

Choosing Finish:

Each of the mentioned sizes is available in a number of finishes measured in a glossiness scale. Different manufactures use different terminology, which makes the job of choosing your desired finish, complicated somewhat.

Glossy Finish – Of the various options, the glossy option is the most widely used, often because other options are poorly described. Glossy will bring out the finer details in the print and has a very commercial nature. However in certain lighting conditions and from certain angles the glare from the finish can make it difficult to see the print well.

Satin Finish – Satin is a finish includes a level of glossiness though to lesser degree. Variations of satin according to the particular manufacturer are available as Pearl, Luster and Semi-Gloss. To all intents and purposes, they are variations of satin.  These are better when mounted behind glass or where viewed at an angle.

Matt Finish – The only finish that does not include glossiness is the matt finish. It makes the photography paper slightly cheaper to produce so will often be used in bulk printing such as photo brochure printing. Interestingly, in recent years it has been widely adopted for the purpose of artistic printing (especially in black and white) due to its less commercial more realistic visual affect in black and white.

Let us know if you have any questions, leave your comment below.

Posted in Product Information | Leave a comment

The Impact Of Ink Type On Photo Printing

Inkjet printers are traditionally the choice of photographers looking to print their work. Their colour palette, true sub-tones and 1440 DPI (at least) far exceed the capabilities of laser printers when it comes to photo print quality.

There are many factors that will impact the quality of your print. Naturally, you would consider the quality, weight and finish as determining factors and you’d be right, however your ink type will also play an important part in the outcome.

The world of Inkjet ink is divided into original and compatible inks and in many occasions each type is available based on dye or pigment technology. This is where many photographers find it difficult to choose which type to use so here’s a comparison of each type.

Dye Based Inks – The main substance in the cartridge is liquid solution in the form of water. Elements dissolve in this liquid like sugar dissolved in water. It means that the end product is particle free liquid ink hence ‘dye based’. The lack of particles makes for a smoother print in which colour palette and wider sub-tones are more vividly presented. Furthermore, while any decent photographic paper will support dye based inks, a much smaller number will support pigment based inks as well.

Pigment Based Inks – The main substance in the cartridge is pigment particles in the form of microscopic, powder like elements that do not dissolve. The end product is thicker liquid ink. Pigment based inks are resistant UV light and the effect it imposes on printed images so durability and anti-fading properties are better. Furthermore, pigment based inks have better waterproof qualities so work which is displayed outdoors will benefit from better durability when exposed to the elements.

Let us know if you have any comments.

Posted in Inkjet Cartridges, Product Information | Leave a comment

Photo Paper Weight Guide

One of the main considerations for many users when choosing photo paper is the weight of the paper. Weight of paper is measured in GSM and correlates to the density of paper in one square meter of area. Heavier weight photo papers feel heavier to touch, but high weights will not affect the quality of the print itself as much as ink type and receiving layers will. Elements such as true colour representation, image sharpness and even archival properties are unaffected by weight.

Options for photographic paper’s weight vary from 120g to 300g but before opting for the heaviest weight you can get, check that your printer can accommodate this weight or you could face jamming problems.

The benefits of printing on heavier weights lie in the perception when the print is given to someone else. Thicker prints are often perceived as more luxurious and in certain occasions such as when creating greetings cards, invitation cards and other special occasions, thicker print feels more invested and celebratory. Such prints are often saved and even displayed for a period of time.  The paper industry refers to that as the ‘keepsake value’ of the print.

Use the key below as your guide to choosing the most suitable weight:

120gsm to 150gsm – When you require printing high quality images in large quantities, choosing lighter weights makes financial sense. The most common examples are brochures, which often include a high quality image requiring photo paper capabilities in lighter weight, due to little long-term keepsake value. Additionally, charts and presentations, which are often discarded after their use, are also printed on the 120gsm to 150gsm options to bring down the cost of printing.

150gsm to 200gsm – Such weights are the most common for image reproduction. Prints that have some keepsake value such as those that are due to be framed, displayed or mounted are generally printed on 180gsm to 200gsm options. It makes particular sense when you have many images to print as lower GSM often mean the paper is cheaper to buy.

200gsm to 300gsm – Such weights are ideal for printing images when the keepsake element is clearly strong. The most common examples are greetings cards, invitation cards, gallery images and so on. Before opting for the heaviest option you found, ensure that your printer can accommodate the weight. Up to 280gsm most printers we come across seem to feed photo paper just fine, beyond this you should check the printer’s manual. If your printer was made in recent years, you should be able to print up to 300gsm at ease.

300gsm and over – Yes, there are plenty of examples that exceed the 300gsm mark. These are traditionally fine and photo art papers such as printable canvas sheets, textured art papers and others. If you haven’t come across these, it means you have no specific use for them.

Posted in Product Information | Leave a comment

Dolly Moppet Printed Monthly Milestone Onesie Stickers

Customer project spotlight today features the work of Jackie Giles from Dolly Moppet. Using the vinyl matt sticker paper, Jackie creates a wide range of monthly milestone onesie stickers to help capture those special moments in a baby’s development, particularly in the first year. Month by month simply peel & stick a Dolly Moppet monthly onesie sticker to your child’s onesie or t-shirt. Take a picture to capture each stage and be amazed at how much your little one changes. For more information visit the Dolly Moppet site. Here are a few images sent to us by Jackie. We love it!

If you are a photographer, a budding new business, craft maker or just a creative person who is interested to show off your work, you can do so on our blog and also receive full credit of your work. Just get in touch with us.

Posted in Customer Projects | Leave a comment

Photo Printer Paper The Ultimate Guide

The world of photo printer paper is moving forward in a rate not too dissimilar to other aspects of photography such as digital capturing, lighting and lens technology. Most photographers will need to print their work at some point at which point it will be helpful to come to terms with the most recent options for true photo paper printing.

Brands – Perhaps the biggest misconception relates to your choice of photo printer paper brand. Most users consider their only option to be that of the brand of their printer. In reality, printer manufactures do not produce photo paper. It is the work of external supplier who specializes in the chemical knowhow that coats the paper to create ‘photo paper’.

Your Options – If you eventually decide to use your printer’s own brand, the benefits are easy setup as the printer will likely include preset settings in terms of finish, grade of paper and coating side to produce the ultimate printing result in terms of colour range, amount of ink used in the process etc. Otherwise, third party suppliers can often supply you with a ‘profile file’. This small-computerized file is uploaded to your machine to alter the printer settings to achieve the paper’s full potential.

Type Of PaperPhotographic paper is made for Inkjet or laser technology. A specific type cannot be shared across both technologies. Therefore you must first determine if your printer uses Inkjet or laser technology.  Inkjet is often the choice of most photographers due to the higher DPI potential (DPI: dots per inch, a measure of the printing resolution). To disperse ink, inkjet uses liquid ink by way of microscopic jet (hence Ink-Jet), while laser uses powder, which melts after undergoing extreme hot fusion. This results in laser printing been quicker (useful for office documents printing for example), but lacks the refinement and accuracy that true photos require.

Size Does Matter – The industry offers a number of sizes to fulfill a specific needs. The most common are 10x15cm (equivalent to 6×4” photo paper) and 13x18cm (equivalent to 7×5” photo paper). These two are used to insert photos into standard size photo album. Slightly bigger are the A5 and A4 photo paper sizes (A4 been twice an A5 size). These are used to insert photos into frames (desk and wall frames for example). Significantly bigger are the A3 and A3+ sizes (A3 been twice the size of an A4 sheet) which require a special printer that can accommodate such large sheets. A3 and its slightly bigger A3+ size are used to print posters, calendars, images that are to be displayed etc. The same based model in its 10x15cm will naturally cost dramatically less than the its related A3 size, hence you must match the intended use of the print to your choice of size.

Paper Finish – There are three common options for the photo printer paper finish and a further three closely related variations. You can visualize the options on a glossiness scale from the most glossy to the least. The most popular is the glossy photo paper finish that suits most requirements. Its single downfall is the lack of clarity under certain lighting conditions due to high glare. In the scale of glossiness, satin is the next alternative. Also known as semi-gloss, pearl and luster, satin has a certain level of glossy, but nowhere near that of full glossy photo paper. Last but not least is the matt finish, which lacks glossiness completely. It is often used for budget prints as it makes the photographic paper more affordable. It is also the choice for printing black and white prints to retain an artistic look.

Printing Sides – There are various cases when photographers require an image on both sides of the photo paper. Most common uses are photo greetings and invitation cards and brochures. Unless stated otherwise, photographic paper are only printed on one side making it impossible to accommodate a high situated image on either side. If you require such capabilities, you must source ‘double-sided’ or ‘two-sided’ photographic paper.

Budget vs. Premium – All brands be it printer manufactures or third party suppliers offer a range of budget and a range of premium quality photo paper. The difference between the two relates to aspects such as how quickly the print dries, archival potential (how many years before the image fades or yellows), color gamut, accuracy of color tones and in the case of Inkjet, compatibility with pigment and dye inks.  In inkjet printers, budget range will often lean on cast coated technology, a basic type of chemical coating that produces decent results but lacks premium quality. Nano and Micro porous coatings are the two premium models which offer instant dry prints and extensive archival durability. Contrary to common belief, the weight of the paper in GSM will not influence the quality of the print as much as the coating will.

Weight In GSM – Weight was often regarded as in indication of quality, simply because heavier weights feel heavier to touch. Nowadays the coating, the printer settings and the quality of the printer will have a much greater impact on quality than simply its weight. Nevertheless, weight does matter when you are looking to hand your printers and you wish to make a statement. Measured in GSM (Grams per Square Meter) photographic papers vary from 120gsm to 300gsm and even higher for fine art photographic paper. Therefore you choice for weight often depends on the intention of the final item.

Type Of Ink – Inkjet uses one of two liquids either pigment or dye based. These will have an impact on the print quality so in the case of Inkjet printers. Dye based inks are water based, using particle free water-soluble dye. Main benefits include higher quality of print to the smallest detail and colour gamut. In addition you will find more photo papers supporting dye inks vs. its alternative.  On the other hand, pigment based inks are made of liquid and tiny pigment particles. The tiny particles do not dissolve in the solution and the result is water-based powder like mixture. Main benefits include better anti-fading properties and higher water resistance.  If your printer can accommodate either, you should determine the most suitable for your circumstances.

Avoid Costly Mistakes – There’s little dispute that photographic papers cost many times that of normal printer paper. You can avoid expense mistakes by ensuring that you print on the coated side, that you have adjusted the printer settings and paid particular attention to size and often, printing a test print on a non coated paper makes for good practice.

Leave your comment below if you have any questions.

Posted in Product Information, Product Review | Leave a comment

Crazy Scribblers Personalised Named Transfers Project

First customer project spotlight this week features the work of Jo Charleston from Crazy Scribblers. Using the light transfer paper on canvas bags, Jo is able to create some fantastic designs. In her own words, ‘I use it to make personalised named transfers to go on canvas bags for my funky shaped crayons to go into. The transfer paper holds the colour fantastically even after having a hot iron pressed onto it. It makes the bags look great and compliments my business perfectly’. Jo was kind enough to send us examples of her work. For more information join Crazy Scribblers on Facebook.

If you are a photographer, a budding new business, craft maker or just a creative person who is interested to show off your work, you can do so on our blog and also receive full credit of your work. Just get in touch with us.

Posted in Customer Projects | Leave a comment

Sound Asleep Branded Pillow Cases Project

Customer project spotlight today features the work of documentary maker Nadaav Soudry who is working on a short film designed to increase awareness around insomnia. Here’s what Nadaav had to say about the transfer paper from Photo Paper Direct.

‘We made branded pillow slips, night caps and vests with the logo and title of our short film, Sound Asleep, for the MASSIVE Trafalgar square pillow fight that we arranged last Saturday with 1800 people. We also branded some of them with Ready, Teddy and Go for the start of the pillow fight. We arranged this whole event to create an audience for Sound Asleep – a short film we will be crowd funding for shortly. People can donate, get involved, buy rewards and even arrange to win a role in the film at www.nadaav.com/soundasleep. PS it’s a great product’.

Below are a few images sent to us by Nadaav and a short YouTube video featuring the event.



If you are a photographer, a budding new business, craft maker or just a creative person who is interested to show off your work, you can do so on our blog and also receive full credit of your work. Just get in touch with us.

Posted in Customer Projects | Leave a comment

Umbrella Tree Fabric Accessories and Gifts Project

Today customer project spotlight features the work of Gemma Downward from Umbrella Tree. Umbrella Tree makes unique handmade gifts, accessories and home decor. Gemma finds that using the transfer paper gives her a unique way to add text to her fabric creations and she even uses it to make her own fabric labels with the Umbrella Tree logo in colour. For more information visit the Umbrella Tree site. Here are a few images sent by Gemma.

If you are a photographer, a budding new business, craft maker or just a creative person who is interested to show off your work, you can do so on our blog and also receive full credit of your work. Just get in touch with us.

Posted in Customer Projects | Leave a comment